The Blind Owl and Other Stories Page 3

  I struck a match to find the keyhole and for some reason glanced involuntarily at the figure in black. I recognized two slanting eyes, two great black eyes set in a thin face of moonlit paleness, two eyes which gazed unseeing at my face. If I had never seen her before I should still have known her. No, it was not an illusion. This black-robed form was she. I stood bemused, like a man dreaming, who knows that he is dreaming and wishes to awake but cannot. I was unable to move. The match burned down and scorched my fingers. I abruptly came to myself and turned the key in the lock. The door opened and I stood aside. She rose from the bench and passed along the dark corridor like one who knew the way. She opened my door and I followed her into the room. I hurriedly lit the lamp and saw that she had gone across and lain down upon my bed. Her face was in shadow. I did not know whether or not she could see me, whether or not she could hear my voice. She seemed neither to be afraid nor to be inclined to resist. It was as though she had come to my room independently of any will of her own.

  Was she ill? Had she lost her way? She had come like a sleepwalker, independently of any will of her own. No one can possibly imagine the sensations I experienced at that moment. I felt a kind of delicious, ineffable pain. No, it was not an illusion. This being who without surprise and without a word had come into my room was that woman, that girl. I had always imagined that our first meeting would be like this. My state of mind was that of a man in an infinitely deep sleep. One must be plunged in profound sleep in order to behold such a dream as this. The silence had for me the force of eternal life; for on the plane of eternity without beginning and without end there is no such thing as speech.

  To me she was a woman and at the same time had within her something that transcended humanity. When I looked at her face I experienced a kind of vertigo which made me forget the faces of all other people. Gazing at her, I began to tremble all over and my knees felt weak. In the depths of her immense eyes I beheld in one moment all the wretchedness of my life. Her eyes were wet and shining like two huge black diamonds suffused with tears. In her eyes, her black eyes, I found the everlasting night of impenetrable darkness for which I had been seeking and I sank into the awful, enchanted blackness of that abyss. It was as though she was drawing some faculty out of my being. The ground rocked beneath my feet and if I had fallen I should have experienced an ineffable delight.

  My heart stood still. I held my breath. I was afraid that if I breathed she might disappear like cloud or smoke. Her silence seemed something supernatural. It was as though a wall of crystal had risen between her and me, and that second, that hour or that eternity was suffocating me. Her eyes, weary perhaps with looking upon some supernatural sight which it is not given to other people to see, perhaps upon death itself, slowly closed. Her eyelids closed and I, feeling like a drowning man who after frantic struggle and effort has reached the surface of the water, realized that I was feverish and trembling and with the edge of my sleeve wiped away the sweat that was streaming from my forehead.

  Her face preserved the same stillness, the same tranquil expression, but seemed to have grown thinner and frailer. As she lay there on my bed she was biting the nail of the index finger of her left hand. Her complexion was pale as the moon and her thin, clinging black dress revealed the lines of her legs, her arms, her breasts – of her whole body.

  I leant over her in order to see her more plainly. Her eyes were closed. However much I might gaze at her face, she still seemed infinitely remote from me. All at once I felt that I had no knowledge of the secrets of her heart and that no bond existed between us.

  I wished to say something but I feared that my voice would offend her ears, her sensitive ears which were accustomed, surely, to distant, heavenly, gentle music.

  It occurred to me that she might be hungry or thirsty. I went into the closet to look for something to give her, although I knew there was nothing in the house. Then it was as though I had had a flash of inspiration. I remembered that on the top shelf was a bottle of old wine which had been left to me by my father. I got up onto a stool and took it down. I walked across on tiptoe to the bed. She was sleeping like a weary child. She was sound asleep and her long, velvety eyelashes were closed. I opened the bottle and slowly and carefully poured a glassful of the wine into her mouth between the two locked rows of teeth.

  Quite suddenly, for the first time in my life, a sensation of peace took possession of me. As I looked upon those closed eyes it was as though the demon which had been torturing me, the incubus which had been oppressing my heart with its iron paw, had fallen asleep for a while. I brought my chair to the side of the bed and gazed fixedly at her face. What a childlike face it was! What an unworldly expression it wore! Was it possible that this woman, this girl or this angel of hell (for I did not know by what name to call her), was it possible that she should possess this double nature? She was so peaceful, so unconstrained!

  I could now feel the warmth of her body and smell the odour of dampness that rose from her black, heavy tresses. For some reason unknown to me I raised my trembling hand – my hand was not under my control – and laid it upon a strand of her hair, that lock which always clung to her temple. Then I thrust my fingers into her hair. It was cold and damp. Cold, utterly cold. It was as though she had been dead for several days. I was not mistaken. She was dead. I inserted my hand into the front of her dress and laid it upon her breast above the heart. There was not the faintest beat. I took a mirror and held it before her nostrils, but no trace of life remained in her.

  I thought that I might be able to warm her with the heat of my own body, to give my warmth to her and to receive in exchange the coldness of death; perhaps in this way I could infuse my spirit into her dead body. I undressed and lay down beside her on the bed. We were locked together like the male and female of the mandrake. Her body was like that of a female mandrake which had been torn apart from its mate and she aroused the same burning passion as the mandrake. Her mouth was acrid and bitter and tasted like the stub end of a cucumber. Her whole body was as cold as hail. I felt that the blood had frozen in my veins and that this cold penetrated to the depths of my heart. All my efforts were useless. I got off the bed and put on my clothes. No, it was not an illusion. She had come here, into my room, into my bed and had surrendered her body to me. She had given me her body and her soul.

  So long as she lived, so long as her eyes overflowed with life, I had been tortured by the mere memory of her eyes. Now, inanimate and still, cold, with her eyes closed, she had surrendered herself to me – with her eyes closed.

  This was she who had poisoned my whole life from the moment that I first saw her – unless my nature was such that from the beginning it was destined to be poisoned and any other mode of existence was impossible for me. Now, here, in my room, she had yielded to me her body and her shadow. Her fragile, short-lived spirit, which had no affinity with the world of earthly creatures, had silently departed from under the black, pleated dress, from the body which had tormented it, and had gone wandering in the world of shadows and I felt as though it had taken my spirit with it. But her body was lying there, inanimate and still. Her soft, relaxed muscles, her veins and sinews and bones were awaiting burial, a dainty meal for the worms and rats of the grave. In this threadbare, wretched, cheerless room which itself was like a tomb, in the darkness of the everlasting night which had enveloped me and which had penetrated the very fabric of the walls, I had before me a long, dark, cold, endless night in the company of a corpse, of her corpse. I felt that ever since the world had been the world, so long as I had lived, a corpse, cold, inanimate and still, had been with me in a dark room.

  At that moment my thoughts were numbed. Within me I felt a new and singular form of life. My being was somehow connected with that of all the creatures that existed about me, with all the shadows that quivered around me. I was in intimate, inviolable communion with the outside world and with all created things, and a complex system of invisible conductors transmitt
ed a restless flow of impulses between me and all the elements of nature. There was no conception, no notion which I felt to be foreign to me. I was capable of penetrating with ease the secrets of the painters of the past, the mysteries of abstruse philosophies, the ancient folly of ideas and species. At that moment I participated in the revolutions of earth and heaven, in the germination of plants and in the instinctive movements of animals. Past and future, far and near had joined together and fused in the life of my mind. At such times as this every man takes refuge in some firmly established habit, in his own particular passion. The drunkard stupefies himself with drink, the writer writes, the sculptor attacks the stone. Each relieves his mind of the burden by recourse to his own stimulant and it is at such times as this that the real artist is capable of producing a masterpiece. But I, listless and helpless as I was, I, the decorator of pen-case covers, what could I do? What means had I of creating a masterpiece when all that I could make were my lifeless, shiny little pictures, each of them identical with all the rest? And yet in my whole being I felt an overflowing enthusiasm, and indescribable warmth of inspiration. I desired to record on paper those eyes which had closed forever; I would keep the picture by me always. The force of this desire compelled me to translate it into action. I could not resist the impulsion. How could I have resisted it, I, an artist shut up in a room with a dead body? The thought aroused in me a peculiar sensation of delight.

  I extinguished the smoky lamp, brought a pair of candles, lit them and set them above her head. In the flickering candlelight her face was still more tranquil than before; in the half-dark of the room it wore an expression of mystery and immateriality. I fetched paper and the other things necessary for my task and took up my position beside her bed – for henceforth the bed was hers. My intention was to portray at my leisure this form which was doomed slowly and gradually to suffer decomposition and disintegration and which now lay still, a fixed expression upon its face. I felt that I must record on paper its essential lines. I would select those lines of which I had myself experienced the power. A painting, even though it be summary and unpretentious, must nevertheless produce an emotional effect and possess a kind of life. I, however, was accustomed only to executing a stereotyped pattern on the covers of pen cases. I had now to bring my own mind into play, to give concrete form to an image which existed in my mind, that image which, emanating from her face, had so impressed itself upon all my thoughts. I would glance once at her face and shut my eyes. Then I would set down on paper the lines which I had selected for my purpose. Thereby I hoped to create from the resources of my mind a drug which would soothe my tortured spirit. I was taking refuge in the end in the motionless life of lines and forms.

  The subject I had chosen, a dead woman, had a curious affinity to my dead manner of painting. I had never been anything else than a painter of dead bodies. And now I was faced with the question: was it necessary for me to see her eyes again, those eyes which were now closed? Or were they already imprinted upon my memory with sufficient clarity?

  I do not know how many times I drew and redrew her portrait in the course of that night, but none of my pictures satisfied me and I tore them up as fast as I painted them. The work did not tire me and I did not notice the passage of time.

  The darkness was growing thin and the windowpanes admit­ted a grey light into my room. I was busy with a picture which seemed to me to be better than any of the others. But the eyes? Those eyes, with their expression of reproach as though they had seen me commit some unpardonable sin – I was incapable of depicting them on paper. The image of those eyes seemed suddenly to have been effaced from my memory. All my efforts were useless. However much I might study her face, I was unable to bring their expression to mind.

  All at once as I looked at her a flush began to appear upon her cheeks. They gradually were suffused with a crimson colour like that of the meat that hangs in front of butchers’ shops. She returned to life. Her feverish, reproachful eyes, shining with a hectic brilliance, slowly opened and gazed fixedly at my face. It was the first time she had been conscious of my presence, the first time she had looked at me. Then the eyes closed again.

  The thing probably lasted no more than a moment but this was enough for me to remember the expression of her eyes and to set it down on paper. With the tip of my paintbrush I recorded that expression and this time I did not tear up my picture.

  Then I stood up and went softly to the bedside. I supposed that she was alive, that she had come back to life, that my love had infused life into her dead body. But at close quarters I detected the corpse smell, the smell of a corpse in the process of decomposition. Tiny maggots were wriggling on her body and a pair of blister flies were circling in the light of the candles. She was quite dead. But why, how, had her eyes opened? Had it been a hallucination or had it really happened?

  I prefer not to be asked this question. But the essential was her face, or, rather, her eyes – and now they were in my possession.

  I had fixed on paper the spirit which had inhabited those eyes and I had no further need of the body, that body which was doomed to disappear, to become the prey of the worms and rats of the grave. Henceforth she was in my power and I had ceased to be her creature. I could see her eyes whenever I felt inclined to do so. I took up my picture as carefully as I could, laid it in a tin box which served me as a safe and put the box away in the closet behind my room.

  The night was departing on tiptoe. One felt that it had shed sufficient of its weariness to enable it to go its way. The ear detected faint, far-off sounds such as the sprouting grass might have made, or some migratory bird as it dreamt upon the wing. The pale stars were disappearing behind banks of cloud. I felt the gentle breath of the morning on my face and at the same moment a cock crowed somewhere in the distance.

  What was I to do with the body, a body which had already begun to decompose? At first I thought of burying it in my room, then of taking it away and throwing it down some well surrounded by flowers of blue morning glory. But how much thought, how much effort and dexterity would be necessary in order to do these things without attracting attention! And then, I did not want the eye of any stranger to fall upon her. I had to do everything alone and unaided. Not that I mattered. What point was there to my existence now that she had gone? But she – never, never must any ordinary person, anyone but me, look upon her dead body. She had come to my room and had surrendered her cold body and her shadow to me in order that no one else should see her, in order that she should not be defiled by a stranger’s glance. Finally an idea came to me. I would cut up her body, pack it in a suitcase, my old suitcase, take it away with me to some place far, very far from people’s eyes, and bury it there.

  This time I did not hesitate. I took a bone-handled knife that I kept in the closet beside my room and began by cutting open with great care the dress of fine black material which swathed her like a spider’s web. It was the only covering she wore on her body. She seemed to have grown a little: her body appeared to be longer than it had been in life. Then I severed the head. Drops of cold clotted blood trickled from her neck. Next, I amputated the arms and legs. I neatly fitted the trunk along with the head and limbs into the suitcase and covered the whole with her dress, the same black dress. I locked the case and put the key into my pocket. When I had finished, I drew a deep breath of relief and tried the weight of the suitcase. It was heavy. Never before had I experienced such overwhelming weariness. No, I should never be able to remove the suitcase on my own.

  The weather had again set to mist and fine rain. I went outside in the hope of finding someone who might help me with the case. There was not a soul to be seen. I walked a little way, peering into the mist. Suddenly I caught sight of a bent old man sitting at the foot of a cypress tree. His face could not be seen for a wide scarf which he wore wrapped around his neck. I walked slowly up to him. I had still not uttered a word when the old man burst into a hollow, grating, sinister laugh which made the hairs
on my body stand on end and said:

  “If you want a porter, I’m at your service. Yes. I’ve got a hearse as well. I take dead bodies every day to Shah Abdolazim* and bury them there. Yes. I make coffins, too. Got coffins of every size, the perfect fit for everybody. At your service. Right away.”

  He roared with laughter, so that his shoulders shook. I pointed in the direction of my house but he said, before I had a chance to utter a word:

  “That’s all right. I know where you live. I’ll be there right away.”

  He stood up and I walked back to my house. I went into my room and with difficulty got the suitcase with the dead body across to the door. I observed, standing in the street outside the door, a dilapidated old hearse to which were harnessed two black, skeleton-thin horses. The bent old man was sitting on the driver’s seat at the front of the hearse, holding a long whip. He did not turn to look in my direction. With a great effort I heaved the suitcase into the hearse, where there was a sunken space designed to hold the coffins, after which I climbed on board myself and lay down in the coffin space, resting my head against the ledge so as to be able to see out as we drove along. I slid the suitcase onto my chest and held it firmly with both hands.

  The whip whistled through the air; the horses set off, breathing hard. The vapour could be seen through the drizzling rain, rising from their nostrils like a stream of smoke. They moved with high, smooth paces. Their thin legs, which made me think of the arms of a thief whose fingers have been cut off in accordance with the law and the stumps plunged into boiling oil, rose and fell slowly and made no sound as they touched the ground. The bells around their necks played a strange tune in the damp air. A profound sensation of comfort to which I can assign no cause penetrated me from head to foot and the movement of the hearse did not impart itself in any degree to my body. All that I could feel was the weight of the suitcase upon my chest. I felt as if the weight of her dead body and the coffin in which it lay had for all time been pressing upon my chest.